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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sound Studies@UW - ECPv4.6.21//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Sound Studies@UW X-ORIGINAL-URL:http://soundstudies.wisc.edu X-WR-CALDESC:Events for Sound Studies@UW BEGIN:VEVENT DTSTART;VALUE=DATE:20151105 DTEND;VALUE=DATE:20151109 DTSTAMP:20210526T155405 CREATED:20151028T214220Z LAST-MODIFIED:20151028T214309Z UID:189-1446681600-1447027199@soundstudies.wisc.edu SUMMARY:Film & History Conference 2015 (Sound Panels) DESCRIPTION:From Nov. 5-8\, 2015 the annual Film & History conference will be held at The Madison Concourse Hotel. Since 2000\, the conference has grown into an international event for scholars working in a wide range of disciplines. This year’s theme is Journeys\, Detours\, Breakdowns\, and there is an area of the conference devoted to sound (with close to 10 sound-related panels). They are listed below\, or you can see the full program here: \nThursday\, November 5th \n9:45 – 11:15 Old Technologies\, New Histories (Sound Decisions I) \nPaul Moody\, Brunel University London – The City of Sound: Alan Blumlein and the Development of Stereo Sound on Film \nKatherine Quanz\, Wilfrid Laurier University – Lonely Boy(s) on Location: Portable Recording at the NFB \nTim Anderson\, Old Dominion University – Second Person Sound: Music Minus One Plus Instructed Subjects \n3:00 – 4:30 Voices and Effects (Sound Decisions II) \nCasey Long\, University of Wisconsin-Madison – Moving Mouths: The Development of Lip Synch Techniques in Hollywood Animation \nVanessa Theme Ament\, Ball State University – Alien Sound: Surprising Sources for Sound Design for James Cameron’s Aliens \nRebecca Weeks\, University of Auckland – Listening to History: HBO’s Band of Brothers \n  \nFriday\, November 6 \n8:00 – 9:30 From Innovation to Practice (Sound Decisions III) \nIvy Roberts\, Virginia Commonwealth University – Image-Sounds and Sound-Pictures: Innovation and Standardization in Late 1920s Films and Television \nMatthew Perkins\, University of California-Los Angeles – Converging Sounds: Inter-Media Labor During the Transition to Talking Films \nJeff Smith\, University of Wisconsin-Madison – Scoring the Stuff That Dreams are Made of: Music in Three Versions of The Maltese Falcon \n12:45 – 2:45 Musical Design (Sound Decisions IV) \nKatherine Spring\, Wilfrid Laurier University – Synths Tron: The False Promise of the Integrated Soundtrack \nAriane Lebot\, New York University – Authoring the Soundtrack: Shared Responsibilities and Professional Identities in Martin Scorsese’s New York Films \nMatt St. John\, University of Wisconsin-Madison – Homegrown Spectacle: The Broken Blossoms Score in Small American Cities \nNeil Verma\, Northwestern University – A Juggler on the Moon \n3:00 – 4:30 The International Adoption of Sound (Sound Decisions V) \nLea Jacobs\, University of Wisconsin-Madison – Rethinking the Sync: Adorno\, Eisler\, and Eisenstein \nJeffrey Bullins\, State University of New York-Plattsburgh – Musical Breakdown: Realism in the Soundtracks of the 1930s \nCharles O’Brien\, Carleton University\, Canada – The Road to Monte Carlo: Between Hollywood and Berlin \n  \nSaturday\, November 7 \n8:00 – 9:30 Game On (Sound Decisions VI) \nAlex Kupfer\, New York University – Radio’s Grand Stand: Early Broadcasting\, Electroacoustic Technology\, and Baseball \nWilliam Knoblauch\, Finlandia University – SIMON: The World’s Most Famous Music Memory Game \nNeil Lerner\, Davidson College – Hearing Death in Video Game Music’s Silent Era \n12:45 – 1:45 Special Session: The Wisconsin Center for Film and Theatre Research \n3:00 – 4:30 Formats and “Formats” (Sound Decisions VII) \nJeremy Morris\, University of Wisconsin-Madison – Music Re-Tuned: Streaming\, Sound Apps\, and Music’s “New Formats” \nJ. J. Bersch\, University of Wisconsin-Madison – Let’s Start Making Sense: On Small-Scale Indexing and Phenomenology of the Concert Documentary \nMark Kerins\, Southern Methodist University – Home Theater Sound Technology\, Culture\, and Style \n  \nSunday\, November 8 \n8:00 – 9:30 Case Studies in the International Reception of Road to Life\, the First Soviet Feature-Length Sound Film (Sound Decisions VIII) \nVincent Bohlinger\, Rhode Island College – “Thoroughly Russian”: Road to Life in the United States \nLing Zhang\, University of Chicago – A Lamb Astray: Road to Life and Its Cultural Afterlife in China \nAnastasia Fedorova\, Hokkaido University\, Japan – “Our Only Guide to Sound Cinema:” Nikolai Ekk’s Road to Life and Its Reception in Japan \n9:45 – 11:15 Horror and Suspense (Sound Decisions IX) \nJacob Smith\, Northwestern University – The Birds: Listening to Radio’s Sonic Multitude \nEric Dienstfrey\, University of Wisconsin-Madison – House of Tracks: Surround Sound in 1950s Horror \n  \n  \n  \n URL:http://soundstudies.wisc.edu/event/film-history-conference-2015-sound-panels/ LOCATION:1 West Dayton Street\, Madison\, WI\, 53703\, United States ATTACH;FMTTYPE=image/jpeg:http://soundstudies.wisc.edu/wp-content/uploads/2015/10/35mm_film_audio_macro.jpg END:VEVENT END:VCALENDAR