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{"id":189,"global_id":"soundstudies.wisc.edu?id=189","global_id_lineage":["soundstudies.wisc.edu?id=189"],"author":"2","status":"publish","date":"2015-10-28 16:42:20","date_utc":"2015-10-28 16:42:20","modified":"2015-10-28 16:43:09","modified_utc":"2015-10-28 16:43:09","url":"http:\/\/soundstudies.wisc.edu\/event\/film-history-conference-2015-sound-panels\/","rest_url":"http:\/\/soundstudies.wisc.edu\/wp-json\/tribe\/events\/v1\/events\/189","title":"Film & History Conference 2015 (Sound Panels)","description":"

From Nov. 5-8, 2015 the annual\u00a0Film & History\u00a0conference<\/a> will be held at The Madison Concourse Hotel. Since 2000, the conference\u00a0has grown into an international event for scholars working in a wide range of disciplines. This year’s theme is\u00a0Journeys, Detours, Breakdowns, and there is an\u00a0area of the conference devoted to sound (with close to 10 sound-related panels). They are listed below, or you can see the full program here<\/a>:<\/p>\n

Thursday, November 5th<\/strong><\/span><\/p>\n

9:45 – 11:15 Old Technologies, New Histories (Sound Decisions I)<\/strong><\/p>\n

Paul Moody, Brunel University London – The City of Sound: Alan Blumlein and the Development of Stereo Sound on Film<\/p>\n

Katherine Quanz, Wilfrid Laurier University – Lonely Boy(s) on Location: Portable Recording at the NFB<\/p>\n

Tim Anderson, Old Dominion University – Second Person Sound: Music Minus One Plus Instructed Subjects<\/p>\n

3:00 \u2013 4:30 Voices and Effects (Sound Decisions II)<\/strong><\/p>\n

Casey Long, University of Wisconsin-Madison – Moving Mouths: The Development of Lip Synch Techniques in Hollywood Animation<\/p>\n

Vanessa Theme Ament, Ball State University – Alien Sound: Surprising Sources for Sound Design for James Cameron\u2019s Aliens<\/p>\n

Rebecca Weeks, University of Auckland –\u00a0Listening to History: HBO\u2019s Band of Brothers<\/p>\n

 <\/p>\n

Friday, November 6<\/span><\/strong><\/p>\n

8:00 – 9:30 From Innovation to Practice (Sound Decisions III)<\/strong><\/p>\n

Ivy Roberts, Virginia Commonwealth University –\u00a0Image-Sounds and Sound-Pictures: Innovation and Standardization in Late 1920s Films and Television<\/p>\n

Matthew Perkins, University of California-Los Angeles –\u00a0Converging Sounds: Inter-Media Labor During the Transition to Talking Films<\/p>\n

Jeff Smith, University of Wisconsin-Madison –\u00a0Scoring the Stuff That Dreams are Made of: Music in Three Versions of The Maltese Falcon<\/p>\n

12:45 – 2:45 Musical Design (Sound Decisions IV) <\/strong><\/p>\n

Katherine Spring, Wilfrid Laurier University –\u00a0Synths Tron: The False Promise of the Integrated Soundtrack<\/p>\n

Ariane Lebot, New York University –\u00a0Authoring the Soundtrack: Shared Responsibilities and Professional Identities in Martin Scorsese\u2019s New York Films<\/p>\n

Matt St. John, University of Wisconsin-Madison –\u00a0Homegrown Spectacle: The Broken Blossoms Score in Small American Cities<\/p>\n

Neil Verma, Northwestern University – A Juggler on the Moon<\/p>\n

3:00 – 4:30 The International Adoption of Sound (Sound Decisions V)<\/strong><\/p>\n

Lea Jacobs, University of Wisconsin-Madison –\u00a0Rethinking the Sync: Adorno, Eisler, and Eisenstein<\/p>\n

Jeffrey Bullins, State University of New York-Plattsburgh – Musical Breakdown: Realism in the Soundtracks of the 1930s<\/p>\n

Charles O\u2019Brien, Carleton University, Canada –\u00a0The Road to Monte Carlo: Between Hollywood and Berlin<\/p>\n

 <\/p>\n

Saturday, November 7<\/strong><\/span><\/p>\n

8:00 – 9:30 Game On (Sound Decisions VI)<\/strong><\/p>\n

Alex Kupfer, New York University –\u00a0Radio\u2019s Grand Stand: Early Broadcasting, Electroacoustic Technology, and Baseball<\/p>\n

William Knoblauch, Finlandia University –\u00a0SIMON: The World\u2019s Most Famous Music Memory Game<\/p>\n

Neil Lerner, Davidson College –\u00a0Hearing Death in Video Game Music\u2019s Silent Era<\/p>\n

12:45 – 1:45 Special Session: The Wisconsin Center for Film and Theatre Research<\/strong><\/p>\n

3:00 – 4:30 Formats and “Formats” (Sound Decisions VII)<\/strong><\/p>\n

Jeremy Morris, University of Wisconsin-Madison –\u00a0Music Re-Tuned: Streaming, Sound Apps, and Music\u2019s \u201cNew Formats\u201d<\/p>\n

J. J. Bersch, University of Wisconsin-Madison –\u00a0Let\u2019s Start Making Sense: On Small-Scale Indexing and Phenomenology of the Concert Documentary<\/p>\n

Mark Kerins, Southern Methodist University –\u00a0Home Theater Sound Technology, Culture, and Style<\/p>\n

 <\/p>\n

Sunday, November 8<\/strong> <\/span>
\n8:00 – 9:30 Case Studies in the International Reception of Road to Life, the First Soviet Feature-Length Sound Film (Sound Decisions VIII)<\/strong><\/p>\n

Vincent Bohlinger, Rhode Island College –\u00a0\u201cThoroughly Russian\u201d: Road to Life in the United States<\/p>\n

Ling Zhang, University of Chicago –\u00a0A Lamb Astray: Road to Life and Its Cultural Afterlife in China<\/p>\n

Anastasia Fedorova, Hokkaido University, Japan –\u00a0\u201cOur Only Guide to Sound Cinema:\u201d Nikolai Ekk\u2019s Road to Life and Its Reception in Japan<\/p>\n

9:45 – 11:15 Horror and Suspense (Sound Decisions IX)<\/strong><\/p>\n

Jacob Smith, Northwestern University –\u00a0The Birds: Listening to Radio\u2019s Sonic Multitude<\/p>\n

Eric Dienstfrey, University of Wisconsin-Madison – House of Tracks: Surround Sound in 1950s Horror<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>","excerpt":"

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